Gibson TB-7 Mastertone #390-1, the "Hawaii"

#390-1 Gibson Mastertone banjo TB-7 with five-string conversion neck    #390-1 Gibson Mastertone banjo TB-7 with five-string conversion neck back    #390-1 Gibson Mastertone banjo TB-7 peghead    #390-1 Gibson Mastertone banjo TB-7 original and conversion necks    #390-1 Gibson Mastertone banjo TB-7 pot with tenor and conversion necks    #390-1 Gibson Mastertone banjo TB-7 pot side    #390-1 Gibson Mastertone banjo TB-7 pot    #390-1 Gibson Mastertone banjo TB-7 pot

#390-1 Gibson Mastertone banjo TB-7 neck    #390-1 Gibson Mastertone banjo TB-7 neck back    #390-1 Gibson Mastertone banjo TB-7 resonator back    #390-1 Gibson Mastertone banjo TB-7 "Hawaii" inscription    #390-1 Gibson Mastertone banjo TB-7 Mastertone decal    #390-1 Gibson Mastertone banjo TB-7 factory order number in rim    #390-1 Gibson Mastertone banjo TB-7 inside resonator    #390-1 Gibson Mastertone banjo TB-7 factory order number in resonator

#390-1 Gibson Mastertone banjo TB-7 shipping 7 October 1937

#390-1 Gibson Mastertone banjo TB-7 shipping 2 December 1937

#390-1 Gibson Mastertone banjo TB-7 shipping 5 January 1938

#390-1 Gibson Mastertone banjo TB-7 shipping 11 March 1938

#390-1 Gibson Mastertone banjo TB-7 shipping 25 March 1938

#390-1 Gibson Mastertone banjo TB-7 shipping 10 May 1938
 

Introduced as part of Gibson's overhaul of its Mastertone line in 1937, style 7 was the least expensive of the three new top-tension models.  #390-1 is from the second known lot of TB-7s to have been produced; it conforms to standard catalog specifications for the model with dark-finished maple, nickel-plated hardware, and "slashed bowtie" inlays in a radiused rosewood fingerboard.  This banjo's original owner is believed to have been a serviceman stationed in Pearl Harbor at the time of the Japanese attack in 1941; this unidentified original owner is also believed to be responsible for the word "Hawaii" carved into the back of the resonator.

The shipping history of #390-1 paints a picture of the lukewarm reception Gibson's new line of banjos received.  As one of the first top-tension banjos to be built, this example was shipped on October 7, 1937 to Volkwein Brothers Music in Pittsburgh, Pennsylvania; Volkwein Brothers did not sell the banjo and it was returned to the factory in Kalamazoo, where it was taken out as a sample on December 2, 1937 by salesman "Lanky" Neal.  The banjo left the factory again on January 5, 1938, when it was taken out as a sample by salesman Clarence Havenga; Havenga took the banjo out again on March 11, 1938, but it still remained unsold.  The banjo was shipped to George's Music Store (possibly located in Schenectady, New York) on March 25, 1938, and once more returned to Kalamazoo before being shipped a final time on May 10, 1938 to Gibson teacher-agent Dee Wells of Louisville, Kentucky.

The factory order number is stamped inside the rim in an unusual font only seen in a few scattered banjo lots in the 1930s.  #390-1 (see Gibson banjo serial numbers vs. factory order numbers) is currently set up with a reproduction five-string neck by Frank Neat:

Banks of the Ohio

Farewell Blues

Sunny Side of the Mountain
 

Photos courtesy of an anonymous collector.
 


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