Gibson RB-Granada Mastertone #9557-8

#9557-8 Gibson Mastertone banjo RB-Granada front    #9557-8 Gibson Mastertone banjo RB-Granada back    #9557-8 Gibson Mastertone banjo RB-Granada peghead    #9557-8 Gibson Mastertone banjo RB-Granada tuners    #9557-8 Gibson Mastertone banjo RB-Granada fingerboard

#9557-8 Gibson Mastertone banjo RB-Granada fifth-string tuner    #9557-8 Gibson Mastertone banjo RB-Granada armrest and tailpiece    #9557-8 Gibson Mastertone banjo RB-Granada resonator back

#9557-8 Gibson Mastertone banjo RB-Granada pot    #9557-8 Gibson Mastertone banjo RB-Granada pot    #9557-8 Gibson Mastertone banjo RB-Granada pot    #9557-8 Gibson Mastertone banjo RB-Granada pot    #9557-8 Gibson Mastertone banjo RB-Granada factory order number in rim    #9557-8 Gibson Mastertone banjo RB-Granada Mastertone decal    #9557-8 Gibson Mastertone banjo RB-Granada in #521 case

#9557-8 Gibson Mastertone banjo RB-Granada shipping 9 August 1937

In the world of prewar Gibson banjos, there is no model more legendary than the original five-string Granada with one-piece flange and flathead tone ring.  Fewer than twenty of these banjos were produced, making them many times rarer than Martin's famed prewar D-45 guitars.  The mystique surrounding this handful of instruments has been enhanced by their association with players such as Earl Scruggs and Sonny Osborne.

Gibson researcher Joe Spann provides a description of this exceptional example:

“This banjo (#9557-8) appears in the pre-war Gibson shipping ledgers and was shipped as an RB-Granada to the Kenny Music Company of Huntington, West Virginia on 9 August 1937.  The shipping date is almost one full year after the Granada model had been discontinued by Gibson.  Because the factory order number dates to the spring of 1930, we believe this banjo may have been originally produced as a tenor in that year, then afterwards remained unsold and was subsequently converted to five-string in 1937 by the factory to fill an order for a discontinued model.  This theory is also supported by the fact that the other instruments in batch 9557 were tenor-necked.  It remains in excellent original condition, with the Geib and Schaefer hard shell case, friction fifth string tuner and Grover #401-G head guard.  Other than a small amount of honest playing wear, it is likely to be the second-best original example in existence.  It features the same abbreviated 'hearts and flowers' inlay pattern found on the banjo of Earl Scruggs.”

Photos courtesy of an anonymous owner.
 


Home